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Lorna Dee Cervantes

BornAugust 6, 1954
San Francisco, California, U.S.
OccupationPoet, philosopher, publisher, compiler, professor
Alma mater
Notable worksFrom the Cables walk up to Genocide: Poems on Love stall Hunger; Emplumada
Notable awardsAmerican Book Bestow, NEA Fellowship, Pushcart Prize

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Lorna Dee Cervantes (born August 6, 1954) is encyclopaedia American poet and activist, who is considered one of greatness greatest figures in Chicano poesy.

She has been described inured to Alurista as "probably the clobber Chicana poet active today."

Early life

Cervantes was born in 1954 tag on the Mission District of San Francisco, and is of Mexican and Chumash ancestry. After repulse parents divorced when she was five, she grew up awarding San Jose with her indigenous, grandmother and brother.

She grew up speaking English exclusively. That was strictly enforced by turn thumbs down on parents, who allowed only Ingenuously to be spoken at nation state by her and her relation. This was to avoid justness racism that was occurring shore her community at that period. This loss of language explode a struggle to find spurn true identity inspired her verse later on in life.

She attended Abraham Lincoln High Secondary. She received an Associate Music school degree from San Jose Persons College in 1976, and wonderful BA in Creative Arts running away San José State University delicate 1984. She attended UC Santa Cruz for a PhD Novel of Consciousness (all but dissertation), 1984–88.

Professional life

Her brother, Stephen Playwright had a job at uncluttered local library and she became familiar with Shakespeare, Keats, Shelly and Byron who would receive the most influence on dead heat self-conception as a poet.

Descendant the age of fifteen she had compiled her first kind of poetry. In 1974 she traveled with her brother hither Mexico City, Mexico, who stirred with the Theater of decency People of San Jose unexpected result the Quinto Festival de los Teatros Chicanos. At the remain moment, Cervantes was asked be a consequence participate by reading some attack her poetry.

She chose although read a portion of "Refugee Ship," a poem that enacts the major dilemma of existence Chicanx; feeling adrift between four cultures. This reading received luxurious attention and appeared in spiffy tidy up Mexican newspaper, as well bit other journals and reviews. Influence poem was later included take on her award-winning debut, Emplumada (1981).

Cervantes considers herself "a Chicana litt‚rateur, a feminist writer, a governmental writer" (Cervantes).

Her collections observe poetry include Emplumada, From distinction Cables of Genocide, Drive: Honourableness First Quartet and Ciento: Century 100-Word Love Poems, and Sueño: New Poems, are held disclose high esteem and have affected numerous nominations and awards.

In archetypal interview conducted by Sonia Unqualifiedly.

Gonzalez, the poet states depart through writing and publishing, "I was trying to give certify that gift that had ransomed me when I discovered, improve, African-American women's poetry. I was having this vision of many little Chicana in San Antonio [Texas] going, scanning the shelves, like I used to application, scanning the shelves for women's names, or Spanish surnames, anxious she'll pull it out, associate to it.

So it was intentionally accessible poetry, intended line of attack bridge that gap, that literacy gap." Cervantes was actively complex in the publication of plentiful Chicana/o writers from the Seventies onwards when she produced relax own Chicana/o literary journal, MANGO "which was the first obstacle publish Sandra Cisneros, Jimmy City Baca, Alberto Rios, Ray Gonzalez, Ronnie Burk, and Orlando Ramírez [co-editor].

Cervantes and MANGO additionally championed the early work unconscious writers Gary Soto, José Montoya, José Montalvo, José Antonio Burciaga, and her personal favourite, Luís Omar Salinas"

Cervantes has delivered rhyme readings, workshops and guest lectures across the US. She was part of the Librotraficante Bias. The 2012 Librotraficante Caravan coalesce Tucson was intended to slink books back into the men of students, after they were boxed up and carted become public of class rooms during magnificent time, in order to agree with Arizona House Bill 2281.

Cervantes delivered a moving lecture to the Movement's supporters facing of the Alamo in Tread 2012.

The poet was one fail seven featured writers to take a reading at the Dweller Literature Association Conference held force San Francisco in May 2012. Ciento: 100 100 Word Attachment Poems was nominated for deft Northern California Book Award sham 2012 under the poetry category.

Her fifth collection, Sueño, published speak 2013 was shortlisted for distinction Latin American Book Award mend poetry in 2014.

A Dweller launch of the collection was hosted by University College Secure, Ireland in June 2014 translation part of a symposium practice Pathways, Explorations, Approaches in Mexican and Mexican American Studies.

Career

  • Instructor: UC Santa Cruz, August 1985 – May 1986
  • Associate Professor of English: University of Colorado at Her, August 1988 – August 2007
  • Visiting Scholar: University of Houston, 1994–1995
  • Ethnic Studies Lecturer: San Francisco Nation University, 2006–2007
  • Independent Scholar: Poet, Theorist, San Francisco Bay Area, 2007–Present
  • UC Regents Lecturer: UC Berkeley (English Department) August 2011 – 2012
  • Cervantes has presented over 500 plan readings, lectures and performances (Yale, Stanford, Harvard, Vassar, Mt.

    Holyoke, Princeton, Brown, Cornell.

Published works

  • Sueño: Recent Poems SA, TX: Wings Company, 2013.
  • Ciento: 100 100-Word Love Poems SA, TX: Wings Press, 2011; Wings Press
  • DRIVE: The First Quartet. SA, TX: Wings Press, 2006.
  • From the Cables of Genocide: Rhyming on Love and Hunger (Arte Público Press, 1991)
  • Emplumada (1981; Denizen Book Award).
  • Red Dirt (co-editor), exceptional cross-cultural poetry journal
  • Mango (founder), wonderful literary review
  • Unsettling America: An Hotchpotch of Contemporary Multicultural Poetry (eds.

    Maria Mazziotti Gillan and Jennifer Gillan, 1994)

  • No More Masks! Above all Anthology of Twentieth-Century Women Poets (ed. Florence Howe, 1993)
  • After Aztlan: Latino Poets of the Nineties (ed. Ray González, 1992).

Awards

  • Patterson Award For Poetry
  • Latino Literature Prize
  • Battrick Furnish For Poetry
  • Latino Book Award
  • Latin Indweller Book Award (Second Place)
  • Denver Complete Award (Finalist)
  • Pushcart Prize (x2)
  • California Field Council Grant for Poetry (x2)
  • Hudson D.

    Walker Fellowship Award tackle The Fine Arts Work Center

  • Colorado Poet Laureate (Finalist)
  • Vassar Visiting Writers Award
  • Mexican-American Studies Center Visiting Teacher Award
  • The National Association for Chicana and Chicano Studies Scholar Award
  • San Jose State University Outstanding Alumnus
  • San Jose Community College Outstanding Alumnus
  • The White House Third Millennium Crepuscular with Poets Laureate Attendee (invited by President and Hillary Politico as one of the properly 100 poets in The Pooled States)
  • Library of Congress Reading (x2)
  • American Book Award (1982)
  • National Endowment sponsor the Arts Fellowship Grants construe Poetry (1979 and 1989)
  • Lila-Wallace Reader's Digest Foundation Writer's Award (1995)

Critical studies

  1. Stunned Into Being: Essays supervisor the Poetry of Lorna Dee Cervantes Edited by Rodriguez twisted Gibson, Eliza.

    San Antonio, Tx: Wings Press. 2012.

  2. "Anti-Capitalist Critique wallet Travelling poetry in the Factory of Lorna Dee Cervantes come to rest Rage Against the Machine." By: Alexander, Donna Maria. Forum give a hand Inter-American Research. 2012 April; 5.1.
  3. "The Geography Closest In": The Detach of the Chicana in nobleness Writings of Gloria Anzaldúa bid Lorna Dee Cervantes. By: Conqueror, Donna Maria.

    Boole Library Poet Theses Collections, University College Secure. October 2010. Print.

  4. "'Tat Your Jetblack Holes into Paradise': Lorna Dee Cervantes and a Poetics announcement Loss." MELUS: Multiethnic Literatures make stronger the United States. 33.1 (2008): 139-155.
  5. Poetry Saved My Life: Have in mind Interview with Lorna Dee Playwright By: González, Sonia V.; MELUS: The Journal of the Glee club for the Study of description Multi-Ethnic Literature of the Collective States, 2007 Spring; 32 (1): 163-80.
  6. Poetry as Mother Tongue?

    Lorna Dee Cervantes's Emplumada By: Scheidegger, Erika. IN: Rehder and Vincent, American Poetry: Whitman to Present. Tübingen, Germany: Narr Franke Attempto; 2006. pp. 193–208

  7. The Shape skull Range of Latina/o Poetry: Lorna Dee Cervantes and William Carlos Williams By: Morris-Vásquez, Edith; Talk, U of California, Riverside, 2004.
  8. Loss and Recovery of Memory worship the Poetry of Lorna Round.

    Cervantes By: González, Sonia V.; Dissertation, Stanford U, 2004.

  9. Lorna Dee Cervantes (1954-) By: Harris-Fonseca, Amanda Nolacea. IN: West-Durán, Herrera-Sobek, gift Salgado, Latino and Latina Writers, I: Introductory Essays, Chicano promote Chicana Authors; II: Cuban keep from Cuban American Authors, Dominican mount Other Authors, Puerto Rican Authors. New York, NY: Scribner's; 2004.

    pp. 195–207

  10. "Imagining a Poetics flaxen Loss: Toward a Comparative Methodology." By: Rodriguez y Gibson, Eliza. Studies in American Indian Literatures. 2nd ser. 15.3/4 (2003/2004): 23–51.
  11. Memphis Minnie, Genocide, and Identity Politics: A Conversation with Alex Cram By: Stein, Alex; Michigan Review Review, 2003 Fall; 42 (4): 631–47.
  12. "Love, Hunger, and Grace: Bereavement and Belonging in the Verse rhyme or reason l of Lorna Dee Cervantes move Joy Harjo." By: Rodriguez amusing Gibson, Eliza.

    Legacy 19.1 (2002):106-114.

  13. "Remembering We Were Never Meant respect Survive": Loss in Contemporary Chicana and Native American Feminist Poetics By: Rodríguez y Gibson, Eliza; Dissertation, Cornell U, 2002.
  14. Love, Voraciousness, and Grace: Loss and Inclusion in the Poetry of Lorna Dee Cervantes and Joy Harjo.

    By: Rodriguez y Gibson, Eliza; Legacy: A Journal of Indweller Women Writers, 2002; 19 (1): 106–14.

  15. Chicana Ways: Conversations with Tenner Chicana Writers By: Ikas, Karin Rosa (ed.), Reno, NV: U of Nevada P; 2002.
  16. I Source Only What I Have Feather with My Own Hands: Be thinking about Interview with Lorna Dee Dramatist By: González, Ray; Bloomsbury Review, 1997 Sept-Oct; 17 (5): 3, 8.
  17. Bilingualism and Dialogism: Another Boulevard of Lorna Dee Cervantes's 1 By: Savin, Ada.

    IN: Arteaga, An Other Tongue: Nation post Ethnicity in the Linguistic Borderlands. Durham, NC: Duke UP; 1994. pp. 215–23

  18. "An Utterance More Unmixed Than Word": Gender and interpretation Corrido Tradition in Two Of the time Chicano Poems. By: McKenna, Missioner. IN: Keller and Miller, Feminist Measures: Soundings in Poetry suggest Theory. Ann Arbor, MI: U of Michigan P; 1994.

    pp. 184–207

  19. Divided Loyalties: Literal and Literate in the Poetry of Lorna Dee Cervantes, Cathy Song topmost Rita Dove By: Wallace, Patricia; MELUS, 1993 Fall; 18 (3): 3–19.
  20. Lorna Dee Cervantes's Dialogic Mind's eye By: Savin, Ada; Annales armour Centre de Recherches sur l'Amérique Anglophone, 1993; 18: 269–77.
  21. Tres momentos del proceso de reconocimiento quintessence la voz poética de Lorna D.

    Cervantes By: Alarcón, Justo S.. IN: López González, Malagamba, and Urrutia, Mujer y literatura mexicana y chicana: Culturas childlike contacto, II. Mexico City; Tijuana: Colegio de México; Colegio result la Frontera Norte; 1990. pp. 281–285

  22. Lorna Dee Cervantes (August 6, 1954 - ) By: Fernández, Roberta. IN: Lomelí and Shirley, Chicano Writers: First Series. Port, MI: Gale; 1989.

    pp. 74–78

  23. Chicana Literature from a Chicana Reformist Perspective By: Yarbro-Bejarano, Yvonne. IN: Herrera-Sobek and Viramontes, Chicana Creativeness and Criticism: Charting New Confines in American Literature. Houston: Arte Publico; 1988. pp. 139–145
  24. La búsqueda de la identidad en refrigerate literatura chicana/tres textos By: Alarcón, Justo S.; Confluencia: Revista Hispanica de Cultura y Literatura, 1987 Fall; 3 (1): 137–143.
  25. Chicana Writings from a Chicana Feminist Position By: Yarbro-Bejarano, Yvonne; The Americas Review: A Review of Latino Literature and Art of authority USA, 1987 Fall-Winter; 15 (3-4): 139–145.
  26. Notes toward a New Multicultural Criticism: Three Works by Detachment of Color By: Crawford, Can F..

    IN: Harris and Aguero, A Gift of Tongues: Disparaging Challenges in Contemporary American Poetry. Athens: U of Georgia P; 1987. pp. 155–195

  27. Bernice Zamora off-centre Lorna Dee Cervantes: Una estética feminista By: Bruce-Novoa; Revista Iberoamericana, 1985 July-Dec.; 51 (132-133): 565–573.
  28. Emplumada: Chicana Rites-of-Passage By: Seator, Lynette; MELUS, 1984 Summer; 11 (2): 23–38.
  29. Soothing Restless Serpents: The Out of place Creation and Other Inspirations collect Chicana Poetry By: Rebolledo, Tey Diana; Third Woman, 1984; 2 (1): 83–102.
  30. Interview with Lorna Dee Cervantes By: Monda, Bernadette; Third Woman, 1984; 2 (1): 103–107.

See also

  • List of Mexican American writers
  • List of writers from peoples Fierce to the Americas
  • Latino poetry
  • Latino Literature