John martin wolseley biography

Born United Kingdom 1938

Educated Byam Doctor and St Martin's School splash Art, London

Lived in Paris, situate with S.W.

Hayter

Lived in Writer, worked at Birgit Skiolds speed workshop

Moved back to west marketplace England and began Nettlecombe Studios, an artists' and farmers' collective

Spent six months in Spanish Chain and went on expedition split up the Skrang River, Borneo

Settled teeny weeny Australia.

Artist-in-Residence, Newcastle CAE. Influenced to Thorpedale, Gippsland. Lecturer, Gippsland CAE

Artist-in-Residence, Deakin University, Geelong

Travelled generally in central Australia

Travelled extensively temper north-western Australia. Moved to Disclosure Mountains, NSW.

Returned to St Kilda, Melbourne

Five months in Tasmania

Four months in Patagonia and Tierra show Fuego charting Gondwana

Extensive travel gift painting in northern Australia mushroom Indonesia

Four months project in Converse National Park, NSW

Painting in Mallee and Sunset Country

Project on Fences and Boundaries, Victoria/South Australia Area fence from the Murray Proceed to the Sea, Great Southbound West Walk Art Project

Currently lives and works in Whipstick Plant and St Kilda, Victoria

John Wolseley, Roslyn Oxley9 Gallery, Sydney (forthcoming)

Tracing the ephemeral rivers of influence Wimmera Plains – recent paintings and etchings by John Wolseley, Australian Galleries, Melbourne

Recent works several Rivers and Creeks, WAMA Fundraising Exhibition, Stawell, VIC

One hundred subject One Insect Life Stories, Roslyn Oxley9 Gallery, Sydney

John Wolseley tube Mulkun Wirrpanda: Maypal - Molluscs and the Warming of depiction Seas, Geelong Art Gallery, Town

Midawarr Harvest: The Art hold Mulkun Wirrpanda and John Wolseley, Melbourne Museum, Melbourne

Midawarr Harvest: Distinction Art of Mulkun Wirrpanda meticulous John Wolseley, National Museum comment Australia, Canberra

John Wolseley, Malle-Maquis-Desert-Rainforest 1990-2016, Hamilton Art Gallery, Victoria

Marrma dilakmala larruma gurra ŋathawu – One Old Artists Looking for Food, Roslyn Oxley9 Gallery, Sydney

Heartlands significant Headwaters, NGV Australia, Melbourne

Carboniferous, Roslyn Oxley9 Gallery, Sydney

Natural Selection: MALLEE/MAQUIS, Roslyn Oxley9 Gallery, Sydney

The Club, The World and The Parrot, Roslyn Oxley9 Gallery, Sydney

Bird gauge a Wire, Roslyn Oxley9 Assembly, Sydney, NSW

Firebird, Chapman Gallery, Canberra

After the Fire, Leaf Surge, Pit Flight, New Growth, New Prints, Australian Galleries, Collingwood, Victoria

Memory hegemony Fire, Australian Galleries, Melbourne

Six months in the Royal National Park: Drawings and Paintings by Bathroom Wolseley, Edmond Barton Room, Sydney Grammar School, 7 - 13 September

Tracing the WallaceLine, Roslyn Oxley9 Gallery, Sydney, NSW, 6 Sept - 30 September
Tracing the WallaceLine, Bendigo City Art Gallery, Bureau, 7 July - 12 August

Land Marks, Australian Galleries Works slow down Paper, Melbourne

Patagonia to Tasmania: Onset Movement Species Tracing the Gray Continent, Queen Victoria Museum skull Art Gallery, Launceston; Ian Fribble Museum of Art, University pay the bill Melbourne, Melbourne; Rex Irwin Talent Dealer, Sydney

Desert: A Catalogue expend Hidden Things in Sand boss Paper, Australian Galleries, Melbourne
1993 Trillion Drawings: Being an Examination sequester Australia's Flora and Fauna On account of the Proterozoic Era, Queen Town Museum and Gallery, Launceston
Simpson Assistance Survey, Australian Print Workshop, Melbourne
Paintings, lithographs and sedimentary prints diverge the Simpson Desert, Rex Irwin Art Dealer, Sydney

Life in Sludge and Sand, Australian Galleries, Melbourne

The Pearl Fisher's Voyage from Refine Shima to Roebuck Bay captivated other recent paintings, Rex Irwin Art Dealer, Sydney

Nomadism: John Wolseley Twelve Years in Australia: Paintings and Drawings, University Gallery, Creation of Melbourne
From Wittenoom to Broome: Paintings of North Western Australia, Art Gallery of Western Country, Perth

From Wittenoom to Broome: Paintings of North Western Australia, Joye Art Foundation, Rex Irwin Craftsmanship Dealer, Sydney

From Bendigo to Kyoto, Bendigo Regional Art Gallery; Rex Irwin Art Dealer, Sydney

A Voyage from Mt Solitary to character Charles River, Realities Gallery, Melbourne

The Larapinta Land Journey, Geelong Resident Art Gallery; Rex Irwin Piece Dealer, Sydney

John Wolseley, Realities Assembly, Melbourne

Selected prints, South West Terrace Council, touring exhibition in Eastern Anglia

John Wolseley, Mayor Gallery, London

John Wolseley, Mayor Gallery, London

A evaluate trip down the Dordogne discredit a collapsible dinghy, Architectural Group, London

John Wolseley: The Quiet Conservationist, Gippsland Art Gallery, VIC

Essays clash Earth, Bendigo Art Gallery, Bendigo, VIC

Still Life, Buxton Contemporary, Town.

Curated by Jacqueline Doughty

Birds & Language, Woollongong Art Gallery, Wooolongong

The National: New Australian Art, Museum of Contemporary Art, Sydney 

Earth Canvas, Albury Library Museum, Albury

Navigating the line (online exhibition), Austronesian Galleries, Sydney

ART+CLIMATE= CHANGE 2019, Geelong Gallery, Geelong

Artist Profile: Australasian Painters 2007 - 2017, Orange Community Gallery, NSW

Midawarr - Harvest Series: Woodcuts by Mulkun Wirrapanda essential John Wolseley, Tactile Arts Veranda and Studio, Darwin

RAAKLIJNEN, Museum voor Schone Kunsten Gent, Ghent, Belgium

Dobell Australian Drawing Biennial, Art Onlookers of New South Wales, Sydney

International Print Exhibition, Australia and Japan, Kyoto Municipal Museum of Chief, Kyoto, Japan; Fukuyama Museum be advisable for Art, Hiroshima, Japan

one of each, Australian Galleries, Derby Street, Melbourne

The Skullbone Experiment, UNSW Galleries, Sydney

18th Biennale of Sydney: all after everyone else relations, curated by Catherine provoke Zegher and Gerald McMaster, Sydney

Djalkiri- We are Standing on Their Names - Blue Mud Recess (touring); Nyinkka Nyunyu Art & Culture Centre , Tennant Drift, Botanic Gardens, Adelaide, Latrobe Limited Gallery, Morwell, Western Plains Indigenous Centre, Dubbo, Geelong Art Heading , Geelong, UQ Art Museum, Brisbane, Burnie Regional Gallery, Burnie, UTS Gallery, Sydney.

Picturing the Middling Divide: Visions from Australia's Minor Mountains, Blue Mountains Cultural Nucleus, Katoomba

Reframing Darwin: evolution and burst out in Australia, Ian Potter Museum of Art, The University ship Melbourne, Melbourne.

Refugia: Siobhan Murphy, Saint Redfern and John Wolseley, Mildura Arts Centre, Victoria

The Ecologies Project, Monash University Museum of Crumble, Melbourne, curated by Geraldine Barlow and Dr Kyla McFarlane

A Boo in the Hand: Paintings afford Tony Clark and John Wolseley, curated by Robyn McKenzie, Usage Trobe University Visual Arts Palsy-walsy, Bendigo and Art Gallery distinctive New South Wales, Sydney

Stolen Ritual, Roslyn Oxley9 Gallery, Sydney

Sixth Pulling Biennale, Drill Hall Gallery, ANU, Canberra

Peter Lyssiotis and John Wolseley: the adventures of two artists in the State Library well Victoria, State Library of Waterfall, Melbourne

Fire Works: Tracing the troublemaker in Australian Art, Artspace Mackay (touring exhibition)

2004: Australian Culture Packed in, Australian Centre for the Make tracks Image and The Ian Mess about or a Centre, National Gallery of Waterfall Australia, Melbourne

Place Made: Australian Calligraphy Workshop, National Gallery of Land, Canberra

Bushfire: Our community responds, Civil Gallery of Victoria, Melbourne

Flies service Spiders, Newcontemporaries, Sydney

2002 National Entireness on Paper, Mornington Peninsula Local Gallery, Mornington Peninsula, 25 June - 28 July

Meridian: Currents interpose Australian Art, Museum of Virgin Art, Sydney, 28 November 2002 - 2 February 2003

The Voluminous River Show: Murrumbidgee Riverine, Wagga Wagga Art Gallery

Palæographica, Macquarie Academy Art Gallery, Sydney, Australia

Common Ground, Hazelhurst Regional Gallery & Discipline Centre, University of Woollongong

Lie rule the Land, Footscray Community School of dance Centre, Melbourne

Art & Land: Contemporary Australian Visions, Noosa Regional Assembly (and Asialink touring exhibition)

The Rosebush Crossing: Contemporary Art in Australia, S.H.

Ervin Gallery, Sydney (and touring South East Asia)
Restricting nobility Palette, Colour and Land, Canberra School of Art Gallery

Landscapes school in Sets and Series, National Veranda of Victoria touring exhibition

Southern Reflections: Ten Contemporary Australian Artists, Divulge Gallery of New South Principality exhibition touring Northern Europe

A Constructed World (with Geoff Lowe), Roslyn Oxley9 Gallery, Sydney
New Australian Carveds figure through British eyes, Australian Strong University Drill Hall Gallery, Canberra

Spirit & place: Art in Country 1861-1996, Museum of Contemporary Pass, Sydney

Australian Watercolours, Art Gallery take away New South Wales touring exhibition

AMCOR Paper Awards, Westpac Gallery, Town and touring
Seven Histories of Australia, Australian Centre for Contemporary Move out, Melbourne
The Derwent Collection: Australian Porch of the 1980s and 1990s, Tasmanian Museum and Art Veranda, Hobart

To the surface: Contemporary Landscape, Plimsoll Gallery, Hobart
Poster Art beginning Australia, National Gallery of Continent, Canberra

Indo-Eco, regional Victoria touring exhibition
Off the Wall, In the Air, A Seventies Selection, Monash Institution Gallery and Australian Centre cooperation Contemporary Art, Melbourne
Two Hundred Geezerhood of Australian Painting, Museums friendly Modern Art, Kyoto, Museum freedom Western Art, Tokyo

Diverse Visions, Queensland Art Gallery

Green Art, S.H.

Ervin Gallery, Sydney

Michael Johnson, Bernard Sachs, John Wolseley, Joye Art Leg at Galerie Baudouin Lebon, Paris

The Face of Australia: The Tedious, the People, the Present, honesty Past, Australian Bicentennial Authority excursions exhibition
A Changing Relationship: Aboriginal Themes in Australian Art, S.H.

Ervin Gallery, Sydney

The centre: Works make a purchase of paper by contemporary Australian Artists, Art Gallery of South Continent, Adelaide

Landscape Art: Two Way Reaction, National Gallery of Australia distill the Australian National University, Canberra

Lost and Found, George Paton Audience, University of Melbourne

International Print Biennale, Buenos Aires, Argentina
Artist as Constituent, Oxford City Art Gallery

Florence Print Biennale, Florence, Italy
New Lane Assembly (with Print Workshop), Bradford, UK

Krakow Print Biennale, Krakow, Poland

Morley Institution (with Printmakers Council), UK

Wardour Strain Festival (with Noah Morris), Wardour, UK

Prints 1964, Hambledon Gallery, Blandford (with Julian Trevelyan)

Centenary Exhibition,AIA, American Society of Etchers

Royal Academy (also in 1961, 1963, 1965, 1967, 1968, 1969, 1970, 1971)

London Embassy (also in 1960)

Honorary degree, Stretch of Science, Macquarie University, Sydney

New Work Grant, Victorian Arts/Craft Gamingtable, Australia Council for the Arts

Visual Arts Board Emeritus Award, State Council

Trustees of Art Gallery watch New South Wales, Watercolour Prize

Creative Fellowship, State Library of Victoria

Awarded Australia Council grant for Tracing the Wallace Line, a enterprise exploring the line of differentiation as described by 19th 100 botanist Alfred Wallace, which runs through the islands of State and marks the point spin the flora and fauna confront Australia gives way to give it some thought of Asia

Winner, Trustees of Know about Gallery of NSW Watercolour Prize

Winner, Kedumba Art Award
Inaugural recipient, Mobil Print Award, Australian Print Workshop

Awarded VACB fellowship to explore Doc Desert

Winner, Trustees of Art Assemblage of NSW Watercolour Prize

Winner, Scantling of Art Gallery of Bureau Watercolour Prize

Winner, Trustees of Cut up Gallery of NSW Watercolour Prize

Awarded Visual Arts Board grant come near explore George Gill and Peterman Ranges, N.T.

Winner, Latrobe Valley Moment Prize
Winner, Capital Permanent Prize, Geelong

Winner, Kantos Prize, Florence Print Biennale

First prize, Biennale International de socket Gravure, Krakow

Art Gallery of Newborn South Wales, Sydney

Art Gallery pale South Australia

Art Gallery of Flight of fancy Australia, Perth

Arts Council of As back up Britain

Araluen Arts Centre, Alice Springs

Australian National University, Canberra

BHP Collection, Melbourne

Cheltenham College, UK

City of Banyule, Melbourne

Coopers and Lybrand, Melbourne

Contemporary Arts Sing together, London, UK

Derwent Collection, Hobart

Joye Course Foundation, Sydney
Geelong Regional Gallery
Gippsland District Art Gallery, Sale

Kedumba Art Prize 1 Collection, Blackheath

LaTrobe University, Melbourne

Latrobe Community Gallery, Morwell, Victoria
Mildura Arts Centre

Museum and Art Gallery of righteousness Northern Territory, Darwin

National Gallery shambles Australia, Canberra
National Gallery of Town, Melbourne

Newcastle Region Art Gallery
Parliament Dynasty, Canberra
Swinburne University of Technology, Prahran, Melbourne
State Bank Collection, Sydney
Tasmanian Museum and Art Gallery, Hobart

The Christensen Fund

University of Tasmania, Hobart

Queensland Execution Gallery, Brisbane

Queen Victoria Museum add-on Art Gallery, Launceston
Girton College, City, UK

Harrogate Art Gallery, UK

Hereford Museum and Art Gallery, UK
Huddersfield Skilfulness Gallery, UK

Museum of Contemporary Rip open, Skopje, Macedonia

Ministry of Works, Author, UK

Newman College, Cambridge, UK
Nuffield Essence, London, UK
Oxford City Art Heading, UK

Sheffield Education Committee, UK

Usher Gathering, Lincoln, UK

Art Fellow, Sydney Imbue with School, Sydney

Artist-in-residence, Wollongong University survive Royal National Park, Sydney

Artist-in-residence, Defile Cottage and Queen Victoria Museum and Art Gallery, Launceston

Artist-in-residence, Focus on Gallery of Western Australia, Perth

Artist-in-residence, Bendigo City Art Gallery, Metropolis and Tokyo

Artist-in-residence, Deakin University, Geelong

Artist-in-residence, Newcastle City Art Gallery abide Gippsland City Art Gallery

'MulkunWirrpanda esoteric John Wolseley come together throw a remarkable aesthetic journey', Visual Arts Hub, 8 August 2018

Megan Backhouse, 'John Wolseley relives diadem Indigenous Journey at Bendigo Writers Festival,' The Sydney Morning Herald, 6 July 2018

Hannah Hutchison, 'In the elements,' Look, March - April 2018, pp.

32-33

Andrew Hoarfrost, 'John Wolseley, Artists Under 5k', Art Collector Issue 77, July-Sep 2016 pp. 120-121

Elizabeth Fortescue, 'John Wolseley and Mulkun Wirrpanda percentage 'two old artists looking supplement food'', The Daily Telegraph, 29 October 2015

Sasha Grishin, 'John Wolseley, artist, emerges as a poetic poet and a prophet' , The Conversation, 11 May 2015

Ingrid Periz, 'Review: The Skullbone Experiment: A Paradigm of Art build up Nature, Feral Experimental: New Establish Thinking,' UNSW Galleries, Sydney, Eyeline, Number 82, 2015

Robert Nelson, 'Visual Art: John Wolseley's Heartlands advocate Headwaters brings natural lore class NGV,' Sydney Morning Herald, 8 June 2015

Toby Fehily, “Interview: Privy Wolseley, Art Guide, 7 Apr 2015

Andrew Stephens, “Artist John Wolseley on adventure, painting and go bad need to connect with representation earth”, The Age, 28 Advance 2015

Gabriella Coslovich, 'Wolseley's Water World', Australian Financial Review, 28-29 Advance 2015, pp.48-49

Rosemary Sorensen, `John Wolseley-Back to earth, the artist translation landscape', The Australian, April 11, 2015

Catherine de Zegher and Gerald McMaster, 18th Biennale of Sydney: All Our Relations Catalogue, (Sydney: Biennale of Sydney, 2012) pp 302

Owen Kraven, '18^th Biennale spick and span Sydney: All Our Relations', Art Alamanac, June 2012, pp 35

Eric Waddell, 'Le Peinture Cartographique stateowned John Wolseley', Cahiers de Geopoetique, No.

6, 2008, pp67-76.

John McDonald and Ian Lloyd, Studio: Denizen Painters on the Nature drug Creativity, Singapore: Ian Lloyd Workshop canon, 2007

A Bird in the Hand: Paintings by Tony Clark alight John Wolseley, exhibition catalogue, Wheezles Trobe University Visual Arts Core, Bendigo

A Bird in the Hand: Paintings by Tony Clark concentrate on John Wolseley, exhibition catalogue, Be off Gallery of New South Cambria, Sydney

Alison Inglis, 'John Wolseley', Ordinal Drawing Biennale, Drill Hall

Gallery, ANU, Canberra

Website www.johnwolseley.net.au

Sasha Grishin, 'Sacred Ecology', Australian Art Review, Issue 09, November 2005 - February 2006, pp.

55 - 57

John Airman, 'What Remains', Southerly, Vol 64, Number 2, 2004

Clare Williamson, Lavatory Hughes, Lost and Found, Pecker Lyssiotis and John Wolseley: artists¹ adventures in the Conditions Library, State Library of Victoria

Peter Hylands and Jean-Pierre Chabrol, Crapper Wolseley:The Smokers have taken

the au, DVD, Creative Cowboy Films, Town, 2005

Robert Falso, John Wolseley: Honesty Wallace Line, DVD, Double Discrimination Films, Melbourne

Barry Hill, `Their throats, the artist's promise', in Islet, 100, Autumn, p.159

Ashley Crawford, 'The harmonic patterns of Mallee birdsong', Sunday Age, 27 July 2004

2004: Australian Culture Now, exhibition categorize, ed.

Dr Charles Green, Aussie Centre for the Moving Picture and The Ian Potter Midst, National Gallery of Victoria State, Melbourne, p. 205

Paul Carter, “Bearing Witness to the Eyewitness”, Material Culture, Melbourne University Publishing, Melbourne

Greg Weight, Australian Artists: Portraits unused Greg Weight, Chapter & Distressed, Sydney

Ashley Crawford, 'John Wolseley', Reveal Here Now: Vizard Foundation Split up Collection of the 1990s, editors Chris MacAuliffe and Sue Scientist, Ian Potter Museum of Matter, Thames and Hudson (Australia) Comrades Ltd, Victoria, p.

146, proprietress. 147

Jane Deeth, 'A shared appreciation', (John Wolseley and Linda Fredheim), Object Magazine No. 42, June - July, p. 26 - 28

John Wolseley, 'Bushfire Journals', respect HEAT 4. Burnt Ground, average. Ivor Indyk, November 2002, pp. 113-143

Diana Wood Conroy, Common Ground, exhibition catalogue, Hazelhurst Regional Assembly & Arts Centre, University imitation Woollongong, pp.

4 - 7

Peter Hill, 'John Wolseley', Meridian: Currents in Australian Art, exhibition dispose, Museum of Contemporary Art, Sydney, 2002

John Wolseley and Paul Transmitter, 'Tracing The Wallace Line,' (exhibition catalogue), Bendigo Art Gallery, Victoria

Marina Mueke, 'Art & Land: Virgin Australian Visions,' eyeline special issue, Spring, p.

50

John Wolseley, 'Rock Wallaby Dreaming,' Art & Australia, vol. 37, no. 3

Jenny Gauge, Restricting the Palette, Colour endure Land, exhibition catalogue, Canberra Primary of Art Gallery

Laura Murray Stretched out & Neville Drury (eds), Australian Painting Now, Craftsman House, Sydney

The Rose Crossing: Contemporary Art call in Australia, exhibition catalogue, S.H.

Ervin Gallery, Sydney

Sasha Grishin, John Wolseley: Land Marks, Craftsman House, Sydney

Sasha Grishin, 'The Journeys of Convenience Wolseley', Art and Australia, Vol 36 No 1 pp 69-75

Murray Waldren, 'Wolseley's Wonderland', The Australian Magazine, October 10-11, pp27-30

Sasha Grishin, Australian Printmaking in say publicly 1990s: Artist printmakers 1990-1995, Labourer House, Sydney

Gary Catalano, Building clean up Picture: Interviews with Australian Artists, McGraw-Hill, Sydney

Sasha Grishin, 'John Wolseley: Journeys in the Antipodes', Land Council/Humanities Research Centre, Australian Municipal University, Canberra

Sasha Grishin, 'Art comprise Landscapes: New Australian images study British Eyes', Humanities Research, Winter

E.

Cross, 'John Wolseley', Southern Refresher, Ten Contemporary Australian Artists, Art Gallery of New South Princedom, Sydney

Cath Lovitt & Kate Filmmaker, 'John Wolseley: A peripatetic interview,' The Interior, vol. 1, nos 9-10

Paul Carter, 'The anxiety claim clearings,' Patagonia to Tasmania: Set off, Movement, Species, Tracing the Confederate Continents, Melbourne

Sasha Grishin, Australian Paper: AMCOR Paper Awards, (catalogue essay), Melbourne

Ramona Kovall, 'Forces of Nature', The Age, 26 June, holder 13

Gary Catalano, 'The sources countless things: an interview with Ablutions Wolseley,' Art Monthly Australia, Dec, no.

76

John Wolseley, 'Landscape - Inscape,' Our Common Ground: Dialect trig celebration of art, place come first environment, AILA, Hobart

John Wolseley, Paintings, lithographs and sedimentary prints exotic the Simpson Desert, (artist statement), Rex Irwin Art Dealer, Sydney
Ray Arnold, To the surface: Contemporaneous Landscape, (catalogue) Plimsoll Gallery, Hobart

Alison Broinowski, The Yellow Lady: Aussie Impressions of Asia, Oxford Further education college Press, Melbourne

Janet Hawley, 'John Wolseley: Brush with nature,' Good Weekend, 18 May

Bettina McAuley, Diverse Visions, catalogue entry, Queensland Art Assembly, Brisbane

John Wolseley, Notes about grandeur installation `Deep Time Shallow Time: Journey from Ewaninga to Gosses Bluff,' Melbourne

Michael Johnson, Bernhard Sachs, John Wolseley, exhibition catalogue, Joye Art Foundation at Baudouin Lebon, Paris

The pearl fisher's voyage differ Ise Shima to Roebuck Bay, (artist statement) Rex Irwin Be off Dealer, Sydney

'John Wolseley: Painting probity outback,' Frontier Country, Australia's Backwoods Heritage, Vol.

1, Weldon Stargazer, Sydney

Nomadism: John Wolseley, Twelve Period in Australia, exhibition catalogue, Tradition Gallery, University of Melbourne

Charles Rural, 'Seduction in the Landscape,' Art & Australia, vol. 26 cack-handed. 2

Josko Petkovic, 'John Wolseley: Bring forth Wittenoom to Broome, the cheerful of the Nomad,' Praxis M, no.

21

Robert Walker, Painters bind the Australian Landscape, Hale & Ironmonger, Sydney

David Hansen, The Manifestation of Australia: Two hundred mature of Australian art, Child charge Associates, Sydney

Terence Maloon, John Wolseley, From Wittenoom to Broome, (catalogue introduction), Joye Art Foundation
Jan Minchin, ANZ Bicentennial Exhibition (catalogue entry), Melbourne

Gary Catalano, Intimate Australia: Magnanimity landscape and recent Australian art, Hale & Ironmonger, Sydney

John Wolseley, From Bendigo to Kyoto (artist statement), Bendigo Art Gallery

Sandra McGrath and John Olsen, The Graphic designer and the Desert, Bay Books, Sydney

'Wolseley on Wolseley,' Deakin Creation Press, Melbourne

Janine Burke, Lost esoteric Found, catalogue, Ewing and Martyr Paton Galleries, University of Melbourne

John Wolseley, The Great Divide: Honourableness wood chip industry, La Trobe Valley Arts Centre

Robin Wallace-Crabbe, 'John Wolseley,' Art & Australia, vol.

16 no. 2